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Stereolith

by ULAN BATOR

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1.
On Fire 02:38
2.
Stereolith 05:13
3.
Blue Girl 03:16
4.
Spinach Can 04:01
5.
Ego Trip 04:45
6.
NeuNeu 05:33
7.
No Book 03:16
8.
Icarus 04:44
9.
Lost 02:09
10.
Dust 03:26

about

In today's increasingly barren rock and roll landscape, Ulan Bator stand as beacons of explorative songwriting. Formed in Paris in 1993 by Amaury Cambuzat (vocals, guitar and keyboards) and Olivier Manchion (Bass), the band's atmospheric approach to composition has consistently yielded guitar-driven avant-rock at once hypnotic and untamed. And while their sound has developed in a variety of directions – often in relationship to changing line-ups and various collaborations, including with krautrock legends Faust and Swans' Michael Gira – Ulan Bator's resist simple categorization: kraut-y repetition, post-rock guitar flourishes, kosmische synth work, intimate whispering and pounding drums have all taken an audible lead throughout their now twenty-year career.

Please order here: (Vinyl 12", CD, digital)
shop.tapeterecords.com/records/bureaub/ulan-bator-stereolith.html

credits

released February 24, 2017

Music & lyrics composed and written by Amaury Cambuzat

Music performed by
Amaury Cambuzat - Voices, Keyboards, Synthesizers, Guitars and Percussion
Mario Di Battista - Bass
Sergio Pomante - Drums and Saxophones

Music recorded at Analphabet City and at Noise Lab Studio between March and September 2016 by Amaury Cambuzat and Sergio Pomante.

Vocals recorded at O.F.F. Studio, October 2016 by Paul Beauchamp

Mixed by Sergio Pomante with Amaury Cambuzat at Noise Lab Studio, October 2016

Mastering by Sergio Pomante at Noise Lab Studio, November 2016.

Artwork by Valentin Pinel

Label: www.bureau-b.com

Publishing: Tapete Songs

P&C 2017 bureau b and Ulan Bator

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all rights reserved

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about

ULAN BATOR France

ULAN BATOR started their long carrier in 1993 in Paris as a duet composed of Amaury Cambuzat (Vox, Guitar and keyboards) and Olivier Manchion (Bass).
Their first rehearsals sessions happened in a deep, unused chalk-mine in the suburbs of Paris.
This strange location was, step by step, transformed into a "recording studio" where they were to record, compose and produce their first three recordings.
... more

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